Tools for a Draping Class

I'm signed up to take Angles & Details: A Draping Workshop sponsored by the Robert Hillestad Textile Gallery at UNL this weekend, and these are my supplies, gathered from my sewing tools, to fill the required list they sent.

• 6 yards muslin
• fabric shears
• paper scissors
• tape measure
• clear plastic ruler
• a healthy supply of dressmaker pins
• colored string or yarn (about 4 feet)
• needles
• sewing thread in 2 colors
• fabric marking pencil or chalk
• notebook would be helpful
• sharpened pencils

As you can see, I've fulfilled all the necessary requirements, including a few things I added, such as a small scissors for snipping threads, and a Chalkoner as well as a piece of tailor's chalk and a couple chalk pencils. You never know what's going to be easiest to mark with in any situation.

I must confess, I've never bought muslin before. I usually use bargain fabric to try patterns, but I wanted to do this right. I am following instructions, at least for now.... I assume the creativity will come later.

I'm a little nervous about this class, although I'm very excited as well. I've never done anything quite like it, and when I saw this notice, I immediately knew that I was interested.

Description: This is a day and a half workshop designed to explore the potential for using simple geometric shapes to form innovative garments. The process will move from paper to fabric. Participants will form garments by shaping, cutting and pinning fabric directly to the dress form. Some sketching will be done but will not be the primary focus. Outcomes might include wraps, rain capes, skirts or innovative jodhpurs. The aspect of closures and trims will be explored in keeping with the innovative spirit of the designers represented in the exhibition. Although a refined garment may not be produced in a day and a half, the goal will be to complete samples and a functional prototype.

Who should take the class: Individuals interested in alternative shapes for clothing and those interested in working with fabric directly on the dress form. No draping experience is necessary. The ability to use a sewing machine is a pre-requisite. May be of interest to quilters and weavers, and others who wish to explore wrapping textiles around the body. The workshop will focus on structure, not surface embellishment.

Biography: Instructors: Dr. Jean Parsons, Associate Professor Textiles and Clothing, Iowa State University and Dr. Barbara Trout, Professor, Textiles, Clothing and Design, University of Nebraska. Both instructors have numerous years of experience in apparel design and have earned national and international recognition for their apparel design work.

Bunnies, Pants and Ornament

 

This is a darling, exquisitely made wool felt bunny mat given to me this Easter by my dear friend, Linda, from Maryland. We've known each other since college, when we worked together, and have always kept in touch, and remained close through our shared interest in textiles and textile-related activities. I feel really honored to receive this, as she's very busy with designing and making many wonderful art quilts and other articles, to say nothing of a busy family life. Talent drips from her fingers!

I made another pair of pants from my TNT Double Burda pattern, but I fell for some stretch woven fabric, and once again, my results with this type of fabric are less than thrilling. Barely acceptable is what I'd call them. They're going to be fine around-the-house/run to the grocery store pants, but not quite what I'd hoped for. It was not inexpensive fabric either, so I'm not very pleased. I am telling myself once again that this is the last time I will buy stretch woven (lycra content) fabric that I expect to act in a normal fashion. Lycra is for knits as far as I'm concerned. I know others love these fabrics and have great luck with them, but for me, they look like I dressed out of the ragbag, and I can do that look (if I want to) without making something new!

 

I have subscribed to Ornament magazine, and my first issue is just wonderful. Really my cup of tea, with a lot of clothing, wearable art things that are really wearable, surface design, fantastic jewelry, etc. I would recommend you pick up a copy and take a look. It's inspirational if nothing else.

I also began another pair of pants. Same pattern, but with a drawstring variation that I like for summer and spring. The fabric is a silk which looks a little like a corduroy, but is in actuality, a flat weave. It is a perfect coordinate for a jacket fabric I have. It's a pale gold, almost a cream, and it has the perfect weight to hang beautifully, I think. I hope so anyway. I would say that I'd finish them today, but I have to put everything aside, and finish getting ready to host a music club tomorrow night. I'm just sorry that it's too cold to wash the windows. And if you believe that,....

Twisted Flower Sock II

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I finished the first Twisted Flower sock last night. I think the pattern is truly spectacular. The motif placement is just perfect, and the pattern is very exact so that you should get exactly the same results as the pattern photo. I have started on the second sock already, and although I do have to continually refer to the charts, it's still a very quick knit, and quite enjoyable.

The pattern is from CookieA. She has quite a few that are very interesting.

Twisted Flower Sock

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I downloaded one of CookieA's new sock patterns the other day, and began to knit using elann's Esprit sock yarn, which is cotton/elastic, so nice and stretchy, which cotton yarn certainly is not by itself. It's actually a very pale green. I like how the pattern is knitting up, and the instructions are extremely complete, giving you charts for the leg, heel (which is also decorative) and the top of the foot. No excuses for mistakes, I guess.


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I also managed to snag a photo of my frog! I'm so thrilled to have a real frog hanging around the garden and the ponds. He likes to sun himself on the pond heater, so I'm a little loathe to take it out, even though I think the cold weather is well and truly gone. Right after I took this picture, I tried to move in for a little closer one, and he dove off the heater and swam away very quickly. Shy, that's my frog.

Flat Seat Adjustment Success

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I finally hemmed the pants I tried Ann Rowley's Flat Seat Adjustment on, and I rather like them, to say nothing of the fact that the alteration is just pure magic, in my opinion. I wanted a pair of pants that I could wear pretty high heels with, and the ones I have on in the photos are about 3 1/2", and the hems just almost brush the ground, so it's best if I stand up very tall. I had drooled over some of the cuffed pants in the runway shows last fall, and I'm finally getting to doing a pair. I haven't had cuffed pants for years, and in fact, unless I made them myself, if I bought a pair of pants with cuffs, they would almost always be immediately let down so that they'd be long enough, and there went the cuffs.


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This fabric is a polyester which is supposed to imitate linen, and it has a little shine to it. I like the color, and it goes with a lot of things I have. I think they'll be nice clear into summer, with heeled sandals. I just think there's nothing more swishy feeling than really long pants, with heels.

I think the folds in the backview are from the way I'm standing, but perhaps not. I never noticed them when I was looking in the mirror, but that doesn't always mean much.


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This is my favorite Double Burda pants pattern, which is two Burda patterns I've put together to get what I want. It has a side invisible zipper, side pocket, and Hollywood waistband.

Yarn Order Arrives & Pattern Alterations

 

This is the yarn I ordered from Bendigo last Tuesday. I think it is amazingly fast to get yarn all the way from Australia to Nebraska in less than a week. They have always had very fast service though, so I wasn't terribly surprised, and I did hope it would arrive soon.

The dark blue (Midnight Tweed) is much more heathered than it appears in the photo, and is for the cabled sweater pattern shown in the previous post. The dull purple is Agate, and will be a Norah Gaughan Ram's Horn Jacket. They are both wool. The Latte is Cotton, and will be a Norah Gaughan Spiral Shell.

Ann Rowley, whom I count a dear friend, and who is a very, very expert seamstress, posted her Flat Seat Adjustment for pants, along with photos of the process, on Stitcher's Guild, on her Ann's Pearls of Wisdom board. I immediately had to try it, and I've been anxious to start making some pants again, so the timing could not have been better. I did the pattern alteration, and cut on Saturday night. I sewed the pants up yesterday except for the hems, and am hoping to finish them tomorrow. I am very thrilled with the results of the alteration. It seems to be just about perfect. Very, very thrilling!

Bendigo Yarn

Since I keep talking about Bendigo yarn and how much I like it, but they have no website, I thought I'd just post scans of their color card to give you an idea of it. Do order one for yourself so you can see it in person, as you know how unreliable monitor colors can be.

Click on the 2 pictures and you'll get nice large ones that you can really see. The colors look pretty accurate to me here, but the darker ones are hard to see anyway.

I ordered 2 shades of Rustic (lower left group in top photo). Midnight Tweed, 5th from the bottom, which doesn't show well at all, for a Christmas gift sweater. I ordered Agate, 15th from the bottom, for a Norah Gaughan Ram's Horn Jacket for me. It's in her Knitting Nature book. I also ordered some of the Cotton yarn (right side of top photo) in Latte, 7th from the bottom, for a Norah Gaughan shell from the same book.

I've begun swatching for the Christmas sweater with some of the Rustic I have left from my cardigan, as it's the same yarn in a different color, and for once in my life, I'm using the suggested needle sizes (US 1 & 4) and getting the specified gauge. Here's a link to the pattern I'm planning on using, which is pictured below. There are directions for both adult and children's sizes.

Modeling the Bendigo Cabled Cardigan

I must confess that I was so excited to have finished this sweater yesterday that I couldn't wait to show it off, even though I couldn't get photos of me wearing it until today, which was the most gorgeous day. 84 degrees, which is just almost unheard of in March. So, I suffered a little in a wool sweater, but it was a beautiful day, and I am by no means complaining. So, here are my photos. That's my twisty wisteria trunk behind me. It's starting to put out small flower buds, and I'm hoping for a lot of flowers by May.

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First Flowers

Crocus


Helleborus Niger, Lenten Rose 2007

Spring seems to be coming very quickly now. I saw a frog sitting on one of my pond heaters this morning. That made me smile!

My Favorite Knitting Bag

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Some friends and I have been discussing what makes a good knitting bag.

I've used a lot of different bags that have come my way, although the only "official" knitting bags I've ever had are the ones with the wooden framework that will stand up for you.

I like those, but this tote bag that I got from The Nature Conservancy has become my favorite. I did not expect this, and originally thought it was too low, as I'm used to a taller bag, but this is actually very handy, and the double row of pockets along both sides of the bag on the outside are just invaluable. You can see the set of pink double points in one of the inner row of pockets, and the green pencil is in one of the outer pleated pockets. Everything I need is right at hand.

Bendigo Cardigan is Finished

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This is the finished Bendigo cardigan. It's from a pattern they sell, and the yarn is their "Rustic" wool in the color Peppercorn. I am quite pleased with the way it turned out. The fit is great, the sleeves are the perfect length, and it's a color I like very much. It's a gray-green, but has a blend of colors in it, including green, tan, rust, teal, pink, and a few others, but it all reads gray-green.

I added the central strip of pattern stitches to the back. It was written just like the front pattern, but with a strip of reverse stockinette down the center where the buttons are in the front, and I thought that was kind of boring. Here's the back.


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I added the central diamond cable pattern, and the 2 twisted cables, one on each side of it.

I see that I started swatching for this sweater on the 31st of December, 2006. All in all, not bad for a fairly complex knit. Actually, the pattern was quite simple to memorize, and except for the shaping, it was mindless knitting. The real killer was the buttonband. It called for you to knit the button band, sew it on, (slightly stretched, I hate that instruction. It's so hard to get it just right) and then begin the buttonhole band, matching the buttonhole spacing to the sewn-on buttons, sew it on and sew a seam at CB. I couldn't see why I couldn't just continue around the neckline and do it all in one piece, eliminating the CB seam. It worked quite well, except it was very, very tricky to get the band sewn on just right, so that it wasn't too tight or too loose. I think I stitched it on several times, and ripped more than anything I've ever knitted, even though I was buttoning it on as I went along, and finally kept stopping every few rows to stitch it on, and holding it up to make sure it wasn't going to pull or sag. It was quite the challenge, but definitely worth getting it right.

Coral Marfy Blouse is Done

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I finished the coral cotton/silk Marfy #1101 blouse last night. Actually it was all done on Monday except the buttonholes and buttons. This version fits quite differently than the last one I made, which was a chiffon, and is more fitted looking. This fabric has lengthwise crinkles or disorganized pleating, and it gives it quite a stretch factor. I knew it was going to be much more casual in look and in fit, and that's fine. The sleeves turned out very long, and since the chiffon sleeves were just right, that was a surprise. This has the cuffs coming down over my hands, but that is about how they're supposed to be, but I don't think that's really my style. I simply made fold-back French cuffs, which I like, as the line of the cuff echoes the line of the collar. I had buttons on hand which were the correct size, and a perfect color match. Now I wonder if I should have used something with a little more contrast. It's a little plain looking, but maybe that's a good thing. I can always change them if I want to, I guess.

This should be a nice cool blouse to wear this spring and summer, even with the long sleeves. They can always be turned up too.

Here's the pink interfacing I used.

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Lower Right is the fused interfacing.
Center is right side of facing with interfacing fused to it.
Upper Left is unfused fabric for comparison.

Here's the pattern illustration from Marfy.

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Pink Interfacing

Some time ago, during one of my shopping trips to the Pendleton Factory Outlet in Omaha, I bought a 5-yard package of pink fusible interfacing. We're not talking baby pink either. This is FUSCHIA interfacing. When I bought it, I had no idea when or on what, or even whether I would ever use it. I just knew it was unique, a good buy, and I'd probably never have a chance to get any ever again. I've purchased a lot of findings/notions/underpinnings from Pendleton, and every one of them has been top quality, to say nothing of being absolutely ready for the needle. It's a wonderful thing to know you don't have to preshrink your lining or whatever because someone else has already done it, and done it very well.

From Patterns

After finishing my jacket, I decided to make something that would be actually at least semi-fast, and probably successful. I knew when I finished the animal print chiffon Marfy blouse last August that I would want to make it again. It's just a good style for me, and it was a pleasure to sew.

From Fabric

I cut one out tonight from this Cotton/Silk fabric from FabricMart, and realized that since part of it is fairly sheer, my interfacing would show through at least to some extent. I tested several sheer interfacings, but they all showed through with a lighter color, even if they were ivory. I didn't really expect the fuschia interfacing to work, as it's a much stronger color than the fabric, but it really seems to just disappear, which is perfect. I hope to get some sewing done on it tomorrow, but I'm ready to roll, as it's all cut and fused.

Now to change thread on my serger.

Cream Marfy Jacket

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I finished my jacket made from Marfy 9650. The pattern is from the Fall/Winter 2005/06 catalog. The fabric is a very heavy cream cotton with metallic embossed designs. I still think it's a really pretty fabric, but it was very hard to work with. It had no give to it, and easing was just about impossible. I had to lower the sleeve caps a fair amount to get the sleeves set in. I think they turned out fine, and they're very comfortable, which worried me, but it certainly could have been easier. The raised, embossed designs added to the stiffness of the fabric as well as making it somewhat difficult to do handstitching. The needle just didn't want to go through those areas.

All in all, I think it turned out well. I made some changes, as you can see by looking at the design illustration below. I didn't do the contrast collar or topstitching, and I decided against the pocket after pinning it on several times and attempting to adjust its position to someplace where it would look good. That spot didn't seem to exist, so I ditched it. The only topstitching on the jacket is some edgestitching along the collar and lapel edges. I used a Madeira Rayon thread that was a matching cream with tiny flecks of red, blue, and green, which are almost unnoticeable in the end, but the color match was very good anyway.

I think I have enough fabric left to do a matching skirt if I wish, but I'm not sure I really want one. Perhaps when I have some distance from working with this fabric, and have forgotten my troubles with it.... Here is a side view.


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The design called for a double button frog closure on an angle, and I did a closure made with 2 mother-of-pearl flat rings, a vintage button, and a cord made from suede and linen yarns. I was afraid it wouldn't be too practical, but it seems to hold very well, and it's easy to get the placement correct while wearing it. As with most double-breasted styles though, it looks better closed than open.


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Here's the pattern illustration.


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Another Snowstorm

From Weather

Yes, another snowstorm. I really don't remember another winter that has given us so much snow, and seemingly one storm after another. In fact it's snowing again tonight, and blowing 45-50mph too. This picture is actually from yesterday, when we got 8"+ of very heavy, wet snow dumped on us in a big hurry. I think I'm just tired of it.

Tomorrow, I'm going to a Spring Salad Luncheon! It's supposed to be sleeting, so that should be nice.

It's Nice To Be Back on Track

I finally got the lining cut for the embossed Marfy jacket, and hooray, I feel like I'm finally back on track. It's going in rather well too. I stopped tonight when I felt like I was getting tired, so at least there were no silly mistakes made. That's always a plus.

The Bendigo cardigan is getting closer to a finish as well. I'm halfway up the second sleeve. The weather has been great for knitting, as well as sewing, or anything that keeps one in the house.

It snowed last night and this morning, and we were snowed in. Our drive finally was cleared about 10pm tonight.

I also made my very first ever peach pie this evening. I'm usually an apple pie girl, but Pearle loves peach pie, so thought I'd try it. I got out the old Farm Journal Pie Book, and I have to say, I think peach pie might be my favorite now too. It's pretty wonderful! I got to use my new Microplane nutmeg grater too.

Tomorrow night is a Sewing Guild meeting, and the program is unique doll making. I've never made a doll, but it should be interesting.

It's Been A While

Still here, just quiet. I've been getting quite a bit done on the Bendigo cardigan, and in fact I just started on the second sleeve tonight. I'm really pleased with how it's turning out so far, and once I get the sleeve done, there will be only the blocking, assembly, and then picking up the button band. Practically done!

I've also been working, albeit slowly, on the Marfy jacket I'm making from the FabricMart embossed cotton. That fabric has been a struggle all the way. It's kind of thick, has no give whatsoever, and acts kind of "lumpy" at times because of the embossing I think. The sleeves are what gave me fits. Up to that point, things were going well, and I thought I was on track for a quick finish. I got the sleeves in, and although I did get them set in with no actual puckers on the sleeve side of the seam, the convolutions of the seam allowance came right through and because of the density of the fabric, made it look as if there were puckers on the sleeve itself. If I took a sleeve head and really held it in tight, they went away, but in real life, it wasn't working.

I checked a lot of my books, and the best information on what to do came from Sandra Betzina's Power Sewing. I lowered the sleeve cap, quite a bit actually, and they went in much more easily, and they look and feel fine. The more I thought about it, the more I realized that I was doing about what she suggested for UltraSuede, which this is not, but it sure acts like it.

Hand basting was difficult as well, as no matter how fine the needle, it's very difficult to get it through, and if you happen to hit one of the embossed spots, it's tougher yet.

I think I did a poor job of matching the fabric and pattern. The fact that this jacket has curving lapels makes it difficult with this fabric, as wherever you have an embossed spot that extends into the edge seam, it doesn't want to lie smoothly, it wants to make a small "point" instead. Maddening, but with pressing and patience, I managed to get it right. I am afraid however, that if I topstitch or edgestitch, it will just bring the points back with a vengeance. Hand stitching holds no temptation with this fabric either. I think I'm just going to finish it, and be done. It's a lovely fabric, and quite busy by itself, so it really doesn't need even the extra embellishment of edgestitching.

Anyway, I'm up to the lining, which I haven't cut out yet. I also need to figure out an interesting, and unique closure. The pattern suggests a single frog with 2 buttons, which looks very nice. I may look for some unusual buttons or something. Actually, I have a couple of drilled, polished stones that might be just the ticket. I'll have to hunt them. They're from my LYS, which also carries a wonderful button selection.

Marfy Dress Photos

Marfy 1128

Here is the finished dress from Marfy #1128. It was a little hard to photograph because the matelassé is such a dark brown. I'm actually very pleased with this, and although I doubt I'd make another like it, it was quite fun to do, and it really took me in a new direction. I love the chiffon on this dress.

The back view is below. It's about 1" higher in the back than the original design, as I raised the whole thing at the shoulders. I recut the front neckline to the original depth, but I left the back, as I felt a lower back would do nothing for me, and I think this gives the same effect, with less chance of problems.


Back View

Here's a close up of the buttons I used, and you can see a couple more construction-related photos here.



Button, Cuff & Placket

Marfy Dress Today; Photos Tomorrow

This afternoon I finished the Marfy dress, #1128, that I've been working on for a while. No photos yet, as it was too dark by the time I was done. It really turned out quite well, and I'm pleased with it, but I must say, I'm not sure just how soon the occasion will arise to wear it. When it does though, I'll be ready.

I was very worried that I might not like the look of the printed chiffon with the matelassé, but I think it's fine. The design calls for fancy buttons, and even says "jeweled" buttons, but I looked at what was in my button stash, and it turns out that one of my favorites from the collection I was given at Sewing Guild a couple weeks ago is the perfect thing for this. They're the brown domed buttons with brass dots. They're quite large, and "important" looking. There is one at each end of the chiffon scarf/collar, and one on each cuff. The cuffs close with snaps, as I didn't want such large buttonholes in them. Here's the pattern illustration.


Marfy#1128


On the knitting front, I decided how to adjust the stitch pattern for the back of the cabled Bendigo cardigan I'm knitting, so I'm ready to knit during the Super Bowl, if necessary, and I'm sure it will be. The original pattern had a panel of plain reverse stockinette in the center of the back, with a pattern panel on each side, but I wanted something with patterning all the way across, so I needed to adjust the panel placement slightly to get everything to work out right. I'm done with both fronts now, and I'm pleased and also slightly surprised at how quickly it seems to be going.

Spring Must Be Coming Soon

I used to subscribe to Knit'N'Style magazine, but lately I've been looking at it on the newsstand before I buy. I don't think I've ever looked at their website before, but I happened on it tonight, and this is the cover sweater on their April issue.

I just love this! Looking at it, I really hope it is not crocheted, but the colors and the design appeal to me so strongly that I am going to have to look for the magazine. I really need to know what yarn this is.

Knitting Enablement aka Happy Birthday

From Yarn

My sister-in-law has expressed interest in knitting, and tomorrow is her birthday. What could be more perfect? My family has all gone in on a gift, and I was delegated to find something. Of course I decided that this was the perfect time to get her hooked.

I included a beginning knitting book that's used by the LYS, just in case she wants to take their class, Brown Sheep worsted weight yarn in 3 colors, 2 circular needles, sizes 6 & 8, and various yarns from my collection so she can try out different things, just for fun. I also put in a copy of Classic Elite's Knitting the New Classics that I happened to have. I think it has some very tempting patterns. I put the whole collection in a bag suitable for knitting, and there it is! I'm feeling rather successful. I just hope she likes it!

From Yarn

Chiffon Sleeves

Chiffon Sleeve Seam

I've been working on my Marfy dress again with the chiffon sleeves and collar. I got brave and cut out the chiffon, and have been working with it. I didn't do a french seam, just a regular seam, and then turned both seam allowances to one side, but didn't make them completely flat, and stitched through them with a hand whipstitch. I then trimmed very closely. The seam allowance is now tiny, and very flexible. I also did the edges of the sleeve placket with a hand-rolled edge, as you would do a scarf. I used a fine silk thread for both of these operations. It's a #100, rather than a #50, which is regular machine stitching weight. I've begun attaching the matelassé cuffs and will then attach the sleeves to the dress. Then it will be on to the collar.

Moving Along

I finally broke down and ordered several things from FabricMart the other day. They have some really gorgeous, unusual things right now. I hope I'm going to get to them quickly after they come, as well. In hopes that action will occur, I worked a little while tonight on several things.

I got out a Marfy jacket pattern to see if I had enough of a wide wale knit to make it up, and the answer is no. Instead, I'm seriously considering using a cotton with metallic designs that I got last year. I washed a swatch to see if it was going to shrink or otherwise go weird, and it seems to be very stable. I thought I'd try washing a swatch of my Armani Perfume fabric as well, and was pleased to find that it too is very stable, and seemingly unaffected by washing. A friend guessed that it had some acetate in it, and it appears that it doesn't, which is just fine.

I worked a bit on the matelassé/chiffon Marfy dress I've been inching along on, and I feel like I'm making progress. I keep thinking I need armscye facings, and I become somewhat stymied. Then I realize it has sleeves, for heaven's sake! I cut the neckline lower this evening, compensating for what I took out at the shoulder, and it improves it no end. I begin to think I may actually get it done in fairly decent time.

I've been looking at the Couture shows, and am getting a little excited by them. There are some really interesting things. The Dior show is absolutely outstanding this season, but Valentino appeals to me as well, especially from a sewing point of view, just because of his beautiful fabrics and techniques. Every detail of his garments is obviously thought out very carefully, and the care taken certainly shows.

Hip volume really is coming to the fore, after a few seasons of foreshadowing, and it begins to look quite good. There are some very nice tunics that flare at the hip, and while I don't know that I'd care for them on me, they do look good on the runway.

Wardrobing & Buttons

I'm feeling light-as-a-feather today, because I finished a project last night that had been weighing heavily on my mind. I did a program for my local Sewing Guild on Wardrobing. It was actually a lot of fun, and went fairly well, but I worried a lot about it, and I'm just as glad that it's over.

One of our members brought several boxes of sewing items to the meeting, that she was looking for new homes for. They were things that had belonged to her mother-in-law, and among other things, she had lots of buttons. I was surprised and very pleased when she handed me a large bag of buttons and said she thought I'd like these. She was so right! I love buttons of all kinds, and there are some really unique ones here, and some very large ones, which I always gravitate toward. They seem to be very hard to find as well.

Half the Buttons
Some of my favorites are the large green carved buttons, and the blue and white swirl buttons on the left. I also love the set of 6 large, domed buttons in a dark brown with brass rods inset to look like round dots. They don't show well in the photo at all.


Other Half of the Buttons

Many of these are plastic buttons, but they seem to be a much nicer plastic than modern buttons, or maybe it's that they've improved with age. I'm not sure, but I know I'll be using some of these anyway, and maybe quite a few.

I've been knitting madly on the Bendigo Cabled Cardigan, and finished one side of the front the other day. I think it turned out very well. There will be a band at the CF that is picked up, so it will be a little wider. It seems to be turning out the correct size, which is always encouraging. Here's a photo of the front, and a close-up of the stitch patterns.



Front


Stitch Patterns

I've Been Tagged

(& You May Be Next!)

Mardel, at Purls & Murmurs tagged me. As Mardel noted on her own blog, at first a brief moment of panic struck, but then it sounded like fun.

Here are the Rules:

• Someone Tags you
• You post 5 things about yourself that you haven't already mentioned on your blog
• You tag 5 people about whom you'd like to know more

So, 5 things I haven't talked about.

I have a degree in Vocal Performance, and am a classically trained Soprano.

I can drive a grain truck. Also a tractor and a combine.

Although it's apparently almost a given now for women to admit that they never wanted to be the Princess who was waiting for Prince Charming to slay the dragon, etc., and that instead they wanted to be Prince Charming, or at least do all the exciting things he got to do, I really only ever wanted to be the Princess. Not that I was going to just sit there waiting, but I didn't want to do all those other things anyway. I'm perfectly happy being a very traditional kind of woman, although I would never want to go back to the days when that was all that was available to women. I simply happen to be one who likes that particular lifestyle, and was lucky enough to get it. Strangely enough, I don't identify one bit with any group I've heard of that is supposed to be for this type of thing. I simply want to do what I want to do, and they can do what they want to do. The end.

Probably the thing that I hate the most is people telling other people what to do. I have never understood why they didn't just do what they want, and let others have the same privilege. Not attempting to control others appears to be an impossible thing for some people, but I often think it's one of the worst things you can do as a person, and even more so if you're a person with some sort of power or authority over others. It's just mean.

I am the first tea drinker in a long Swedish line of coffee drinkers, and they do wonder about me a little.



That was surprisingly hard! Now, who shall I tag?
I will tag:
Off the Cuff
Fiberly One
Stitches & Seams
CraftLit
Couture et Tricot

Weather Influencing Style

KwikSew #2286

I just finished a lace tank-style undershirt from KwikSew #2286. This is the one where I used the stretch lace elastic edging that I dyed to match. The fabric is really more of a stretch mesh than a stretch lace, in my opinion, but with the soutache sewn on in pretty designs, it looks more like a lace. It has almost a tie-dyed effect, with some of it much lighter than others in a random, mottled sort of way.

I really like this pattern, and I was thinking last night as I stitched the hem, and realized that apparently I sew these in January, that it must be because I'm cold, and so I want more layers to put on. I also did a pair of semi-heavy socks recently, for much the same reason I suspect. Anyway, I thought it was kind of funny.

My Pincushion

My Pincushion

Debbie at Stitches and Seams had a post about her pincushion that caught my fancy. She got a new pincushion, color-coordinated to her recently decorated sewing room. You wouldn't think such a small item would be so exciting to get, but I knew exactly how she felt. It was fun to see hers, and I thought I'd take a photo of mine. It would be fun to see all of yours, too!

Mine is nowhere near as pristine as hers, since mine has been in use for a couple of years, but I am actually a little picky about what goes into it.