Sheila Hicks at Joslyn

I've been trying to get to this show for a while now, and I actually paid and made it to the gallery at Joslyn Art Museum in Omaha about a month ago, but they were having trouble with their alarm system, and there were strobe lights all over the museum flashing rapidly.  It was instant headache time, so we left, and I made it back today alone.  I'm so glad I didn't miss this.  What a wonderful exhibit!

Sheila Hicks is a native of Hastings, Nebraska.  Here's what Joslyn has as her bio:

Hicks was born in Hastings, Nebraska, in 1934 and trained as a painter at the Yale University School of Art, taking courses with famed color theorist Josef Albers, pre-Columbian art scholar George Kubler, and the architect Louis Kahn. Although she had learned to embroider and knit early in life, Hicks became interested in textiles in 1956 while studying Latin American art. The following year, she traveled to South America, a formative experience for the young artist. With Santiago, Chile, as her home base, Hicks toured the continent to photograph the landscape and historical sites and learn indigenous weaving techniques. These textile practices, along with other skills the artist discovered during her extensive travels — such as back-strap weaving and Moroccan and Guatemalan rug-making — continue to inform Hicks’s approach, even as she has developed new ways to use thread. 

I really  love almost all of what they showed, although I found it interesting that the first smaller room of the exhibition gallery, that you could see some of without a ticket, was the least interesting, at least to me.  Her colors and use of varied textiles and threads is really inspiring.  

I find myself eager to try to make art rather than just garments.  We shall see how that goes.  I purchased the exhibition catalog, Sheila Hicks: Material Voices to inspire me as time goes on.

Sewing/Fashion Trip to Denver

From Denver 2012

Patti, Liana and Mardel in Westminster, CO.

I had such a great time in Denver near the end of June. I got to view the Yves St Laurent retrospective exhibit at the Denver Art Museum with two fabulous fashionistas, Patti and Mardel. You see us above just before we left for the airport to go our separate ways.

The show was well worth making a special trip to see, with over 200 outfits, the largest show of its kind. This was the only showing in the western hemisphere. How they got it in Denver, I do not know, but I'm so glad they did. It was a very nice space for it as well.

There were so many stand-out pieces, but since we were not allowed to take photographs, I will just have to settle for quick descriptions. Truly, I went into sensory overload just trying to remember and take notes of all the wonderful details and effects.

There was a one-shoulder lace column evening gown with galloon edges that did not meet on the sleeveless side and was held together with two medium-sized shocking pink satin bows. Charming, and ultimately wearable, if only by the brave. The masterful handling of the lace was wonderful.

The hem edge of a brown blouse that just peeked out under a boxy skirt-suit jacket resembled leather cut into perhaps 1/2" fringe. Examined more closely, it was silk with a turned up hem which was cut vertically into strips and whipped along the raw edges to form loops. Amazing work, and so pretty, and really, quite simple if you have the time, patience, desire, and the hand-sewing skills.

Of course all of the beaded pieces were fantastic, the Monet Iris and Van Gogh Sunflowers jackets were probably the most stunning of a very stellar group. The texture of the paintings had been recreated using not only beads and sequins, but silk ribbon embroidery as well; in places 'piled up' to imitate the thick impasto of the original artworks. Of all the garments in the show, these were the only two not shown on mannequins. These were under glass, laid flat, both so you could get a very close look, and, I imagine, to save the garments from their own weight as they hung on a form.

YSL's combinations of fabrics, color and line was incredible, and as always, seeing the actual garments is a revelation after only seeing photographs, no matter how detailed and good. I would recommend this show to everyone, and any time you have a chance to see fashion in person, go and see it. You will always take away something of value, if only one idea. I know I came away from this weekend with many, many ideas.

As you may have guessed, I also came away with a little bit of fabric. I was very restrained, and only bought 2 pieces at Elfrieda's in Boulder. One is a cotton print which you will read about very soon. It's already sewn up! This is a gorgeous silk print I could not resist. I am thinking a slip dress, possibly to wear to the opera in Chicago in October, again with Patti and Mardel.

From Denver 2012

More Stained Glass + A Little Fabric.

First things first, of course, and we went to Vogue Fabrics first this morning. I can't show you most of what I got since they're shipping it. It's not really that much, but I think I'm pretty close to the weight limit on my suitcases, and I don't want to push it, plus they're very full anyway. I will tell you that I got a Donna Karan fine wool blend wavy print in very dark colors, a tiny check/birdseye wool blend, a mushroom-color wool gauze, and a wheat-color wool blend brushstroke print. I also got a couple of woven ribbons, which you can see above.

"Located at Navy Pier, The Smith Museum of Stained Glass Windows is a permanent display of 150 stained glass windows housed in an 800 foot long series of galleries along the lower level terraces of Festival Hall. Open since February 2000, it is the first museum in the United States dedicated solely to stained glass windows. It showcases both secular and religious windows and is divided by artistic theme into four categories: Victorian, Prairie, Modern and Contemporary. All of the windows were designed by prominent local, national and European studios and most were originally installed in Chicago area residential, commercial and religious buildings. "

It really is a worthwhile exhibit, and it's easy to walk through it and enjoy. Here's a photo I took showing a window made for a stairway. I love the scrollwork designs.

Tonight Patti's doing a supper for about 10 women and we're going to have a good time visiting. (The smoke alarm is going off as I type....) Everything is under control. It's Barbara's Apricot Bourbon Chicken,via The Pioneer Woman Cooks. It smells wonderful, but I have to wonder if Patti's been dipping into the Jack Daniels a bit early? Possibly just for quality control purposes.

Tomorrow is the Trunk Show and Program, and of course as a finale,the opening of The Lyric Opera.

Chicago = Jazz + Stained Glass

I went to my first Jazz Club performance last night, and it was great fun! We went to the Jazz Showcase and heard Eric Reed and his Trio. It was a great set, and I thought the ambiance of the club was wonderful as well. Definitely something I will be repeating, I hope.

As many of you know, I'm working on a stained glass project, and in furtherance of that, I'm trying to educate myself on various styles and genres of stained glass. I have been viewing various churches, etc. for some time now, where ever I go, and had two viewing opportunities planned for this trip. I will be going to The
Art Institute as well as The Smith Museum while in Chicago.

Earlier in the day we did go to the Art Institute to see the Chagall windows and the Spider Silk Weaving exhibit. Both were amazing, but the spider silk textile is something you really need to see in person. I'd read about it in several places and seen really good photos, but the reality is something special. I'm certainly not a fan of spiders, and I don't know that I could have worked on a project like this, but the results are spectacular.

Fashion Exhibit at LACMA

Fashioning Fashion at LACMA

There's always something fun to see in Southern California, and this was fun to see. If you're anywhere near the Los Angeles County Museum of Art, you should try to see this exhibit. It's really fun to see all the gorgeous garments close up. They have mirrors behind some of them so you get a 360 view, too. We went yesterday since it was a Target Free Holiday Monday. I took a few photos at the fashion exhibit.

The first two are the same dress. It's early 20th century, and I love the trim, besides the general style of course.

From Drop Box

From Drop Box

This dress has wonderful shaped collar and cuffs in velvet.

From Drop Box

This shows the cuffs, and guess who, in the mirror?

From Drop Box

A gorgeous emrboidered velvet kimono with a Fortuny-pleated skirt peeking out below. I have to think that the reason we only get a glimpse of the Fortuny dress is that it's in bad shape. What's there is gorgeous, though.

From Drop Box

This is a hat I just adore. Real gold embroidery.

From Drop Box

You wouldn't know it from my photos, but there were quite a few men's garments as well. Not quite 50/50, but probably at least a third were menswear. Most were highly embellished and embroidered, and in fabulous fabrics, so they were well worth seeing too.

There's a beautiful book available about the exhibit. It has great photos of the pieces, and lots of explanation. If you can get a look at it, you'll enjoy it.

We met a new friend at the exhibit too. It seems one can recognize fellow-enthusiasts. Hi to Mary from Fort Collins, Colorado!

Textile Symposium II - Conference

The papers and research presentations given at the Symposium are the main part of the event. (This link will open a PDF of the entire program.)

There were 4 rooms with 3-4 presentations each in the morning and twice as many in the afternoon of each day, plus a keynote speaker in the morning each day, so there was a lot of information to digest. Thursday evening there were gallery tours, as museums and galleries in Lincoln and a few in Omaha had a total of 33 textile-related shows in accord with the conference. There were two bus routs for the tours, which we coordinated, and quite a few were within walking distance. People were going in every direction, and it was quite a popular evening.

Friday morning was similar to Thursday, but in the afternoon people chose an off-site seminar or workshop from 14 choices and were bussed to their destination. I went to the one which included the Hillestad Textile Gallery, the clothing collection at UNL and the New Fibers talk. It was wonderful to see the collection up close, and we got to examine the suits slated for the next Hillestad exhibition, as well as a Ralph Rucci dress made with 'thread worms' that just happened to be on a mannequin in the collection storage room. When the afternoon sessions were over, there was a Reception at Sheldon Art Gallery, and then the Banquet and keynote speaker.

Saturday was the last official day, and there were sessions in the morning and afternoon, then a
Native American dance troupe exhibition and regalia display.

On Sunday there were two post-conference workshops:
Ralli Quilts: Treasures from Pakistan and India and
Feltmaking with Janice Arnold and Chris Martens

and one tour:
Native Americans of the Winnebago and Omaha Tribes.

This is a felt-making video made by Christine Martens.

Textile Symposium I – Conservation Tour

I think I'm finally almost recovered from the intense experience that was the Textile Society of America's Biennial Symposium. As I told you before, I was the assistant Volunteer Coordinator, and so I attended almost the entire time. Since I mainly needed to be available in case any 'emergencies' arose, and in general things ran very smoothly, I was able to attend many of the sessions and presentations that appealed to me. Truly a fabulous opportunity, and I would recommend it to anyone who has the chance to do something like this. (The next one will be in the Fall of 2012 in Washington, D.C.)

I'm going to split up my posts on this, or it would be really long. I'm also sorry to say that the photos I took were all accidentally deleted. Not that I had that many, or that they were that great, but they were there anyway.

My first day was Wednesday, the 6th. I was a host on the Conserving Textiles on the Plains Tour. We left the Cornhusker Hotel (most of the events were held there) and went on a series of behind-the-scenes tours.

There were 2 other tours participants could choose.
Incomparable Art/Exceptional Spaces or
Nebraska's Colorful History.

There were also two workshops available.
Investigation of Natural Dyes: Reds and Purples or
Jacquard: A Loom of Opportunity

On to the Conservation Tour.


First stop was the International Quilt Study Center. I'd been there before, but this was different. We got to see the quilt conservation and storage areas, and saw some of the quilts that are stored flat instead of folded, because of their special traits. We saw volunteers re-folding quilts, which is done continually, so that each quilt is re-folded at least once in 2 years. Their photography studio was interesting as well, as it allows them to take the photos which are detailed enough that they can put on their website for off-site study. Of course we stopped at the gift shop on the way out, and quite a few books and other items accompanied us onto the bus.


Next stop was The Gerald Ford Center, which was a surprise to me. I'd not been there before, but assumed it was dedicated to honoring/explaining Ford's presidency. It does have that as a small part of its function, but its main purpose is as a conservation center for Objects, Paper and Art. It originally was designed to include textile conservation, but there was so little call for it that the textile lab was given over to art instead. As you might imagine, people are less willing to pay the conservation costs for textiles than they are for artwork that needs repair. Sad, but true. The facility is both a Regional Center and the State's official conservation arm. It's locked at all times, so I'm unsure how one arranges a tour if you're interested.


The last stop was DeSoto Bend and the Steamship Bertrand site.
It's both a wildlife refuge, and a repository for the artifacts recovered in the excavation of the ship almost exactly 100 years after it sank in the Missouri River. It hit a snag, and then the river shifted, as it often did, and the site was lost. When it was discovered, almost all of the original cargo was still on board, covered in mud, sand and water.
Since no oxygen had gotten to the 4000 artifacts, things were remarkably well-preserved. The Bertrand was headed for the gold fields in Montana, and thus had a lot of tools and basic living equipment on board, but also shoes,, hats, clothing, fabric, buttons, sewing supplies, etc. We all drooled over the buttons and some of the fabric as well as a couple of very fancy hatpins.


When we came back to Lincoln, everyone got off back at the Quilt Center for a reception. I went home and went to choir practice and to bed early for an early start on Thursday.

I've Been Busy

Since I last posted, I've been on another trip to visit a dear friend and her family. This time I went to Maryland, and had a marvelous time. We hit some great yarn shops, a bead shop, G Street Fabrics (my fabric is sitting at my post office at this very moment, since I was performing at Morning Musical Review when they tried to deliver it today) and of course various parts of the Smithsonian group of museums as well as other places of interest, such as the National Cathedral. On a completely frivolous note, she also took me to see Ricardo, her hairdresser, and I got my hair cut. (Drumroll!) It's not a complete departure from my former look, but it's a little more modern looking (I hope) and definitely 'cleaned up'. Here's me last Sunday.



I spent one day in DC by myself, traipsing through the National Gallery, Archives, Sculpture Garden, Portrait Gallery and the Renwick Gallery. I still feel like I'm filled to the brim with the sights I saw and the ideas I got.

Before she turned me loose on my own, Linda kindly went with me to DC, and we toured Arlington Cemetery, including Arlington House, which is beginning a major renovation soon, the National Building Museum, and the Textile Museum.

This last stop will be of special interest to most of you, and I would urge anyone who's handy, to go there now, as their current show is Contemporary Japanese Fashion: The Mary Baskett Collection.



It runs for about another month, and yes, it was wonderful. All of the items are from the wardrobe (as in, she still wears them regularly) of a woman from Ohio who lived in Japan near the beginning of the Japanese designer phenomenon. She spotted these intriguing designs and began buying and wearing them. She was there for quite a few years, so her collection spans a considerable time. You can get quite close to most of the pieces, and they're displayed very well for the most part, with the accessories meant to be worn with them, and on 3-D 'forms' inside so that the shapes are clearly shown. We could have done with a little more information about some of the pieces, but really, it's a great show, and quite interesting to see the pieces close up.

There's another interesting show there as well. It's Fabrics of Feathers and Steel:
The Innovation of Nuno and is a collection of very unusual pieces of fabric. I know you've seen some of these before, but the innovation of these is awesome. Of course you can't touch the fabrics on display, but they do have small 'touchable' samples by the description of each group, so you can get a sense of the tactile quality of the fabrics.

In case you wonder what I was singing this morning, it was 3 songs for a performance club. It's been about 2 years since I was able to go and perform, or even attend, so this was very nice. "V'adoro, pupille" from Giulio Cesare by Handel, and 2 of the Six Songs of Emily Dickinson by John Duke. 5. "Nobody Knows This Little Rose" and 6. "Bee! I'm Expecting You". My wonderful accompanist and friend, Diana, made it all possible, as always.